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THE
MOVIE MYSTIC
By Stephen Simon
ETERNAL
SUNSINE OF THE SPOTLESS MIND
Change your heart,
and look around you...
Change your heart,
it will astound you
... everybody`s gotta learn sometime...
Your heart has been broken in a love relationship that ends.
Someone offers you the chance to literally erase that relationship
that person and everything about it and them from your memory
forever.
Would you do it?
Should you do it?
COULD you do it?
Such is the provocative premise of ETERNAL SUNSHINE OF THE SPOTLESS
MIND, my favorite film of 2004. (I am avoiding the connotation of
"best" because I think that notion indicates an absolute and
I believe that, as it relates to the utter subjectivity of film, we can
only speak for ourselves.)
To delve into the story too much would so much lessen the discovery of
and fascination in its intricacy that I will only say that the heart of
the film takes place in the mind of its main character Joel, played with
nuance, sensitivity, and endearing vulnerability by Jim Carrey, in the
first role in which he literally disappears into his character. As Carrey
remembers Clementine, the great love of his life (played with heartbreaking,
poignant, eclectic and luminescent beauty by the inestimable Kate Winslett,
who also stars in FINDING NEVERLAND, my close second choice off
2004), each memory is, at his request, systematically erased... or ...
is it? Can it ever be?
The touchstone of Spiritual Cinema is the asking of questions about who
we are and why we are here. As such, ETERNAL SUNSHINE is perhaps
a seminal film and one that I passionately recommend that you see with
other friends and loved ones because the discussions afterwards hold the
promise of a very emotional catharsis. Beyond, beneath, and above the
story itself lie hypnotic musings and tantalizing possibilities.
The extraordinary Japanese film AFTER LIFE illuminated the intriguing
dilemma of having to choose one memory in which to spend eternity. In
ETERNAL SUNSHINE, the haunting question relates rather to the potential
erasure of memories of those we have loved and who have loved us. What
happens to our experience of those memories if the love transforms into
pain, heartbreak, and sadness? Do we live in the sunshine of the love
as it was when it shone most brightly or do we suffer in the darkness
of the pain of the aftermath of heartbreak and disillusionment? No matter
how deeply our pain might run, would we erase those memories if we could?
Or, perhaps, can we choose to experience both the light and the darkness,
simultaneously and forever? The choice is always ours. If we could literally
erase those conscious, and even subconscious memories, would something
still remain in the depth of our unconscious, waiting to be triggered
anew at a particular moment? Most importantly, what indeed ARE those memories?
When we know that time is an illusion, and that we are spiritual beings
having a human experience, what do we make real and what do we render
to our dream and other than conscious states?
Isn't this all a metaphor for our journey through our lifetimes, when
we make decisions in the world between death and life and then play out
those commitments in the moments between life and death? When, no matter
what, we recognize each other without the assistance of conscious memory.
When we know we`ve been together before because we have. When only the
illusionary veil of the cycle of death and life separates us from remembering
who we have been to each through the centuries. When we make these eternal
commitments, we have intentions that may not ever consciously occur to
our human selves but, somehow, we find each other and play out the scenarios.
On our way home... to oneness.
Perhaps, then, at the depth and breadth of its vision, this amazing movie
even presents us with the hope that our running can finally come to an
end in the ETERNAL SUNSHINE OF (OUR) SPOTLESS MIND. As such, the
film is nothing less than a reflection of those extraordinary promises
that we make to each other, the knowing that no disappointment
or heartbreak can erase from the blueprint of our soul. When entertainment
can do this, it transcends the experience of movies and touches the face
of eternity. And offers tantalizing glimpses to us of whom we may really
be.
(Stephen
Simon produced such films as Somewhere in Time and What
Dreams May Come, produced and directed INDIGO, and
wrote The Force is With You: Mystical Movie Messages That Inspire
Our Lives. He also co-founded The Spiritual Cinema Circle http://www.spiritualcinemacircle.com/
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