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World & New Age Music Reviews
 
By Kathryn Sargent, Editor
 
The powerful magic of Tulku returns this month with their new release, A Universe to Come (New Earth Records). The cover painting, “Lucero Ayahuasa,” by Pablo Amaringo, a healer from the Peruvian Amazon, sets the tone for this incredible CD's mystery and majesty. See his work on www.plantvision.org for a preview of his visionary artwork. As to the music, this treasure of a CD includes Benjamin Mahua, a “living master” of the Shippibo Tribe's ayahuasca healing tradition, offering chants from an unbroken lineage of shamans going back an estimated 12,000 years. The name of this ensemble, Tulku, means the emergence of an old soul into a new body. Like its name, Tulku incarnates differently from one album to another, with a changing collection of gifted artists - Native American, Egyptian, Mayan, Aboriginal, Indian, and Persian. A Universe to Come features Jim Wilson, James Twyman, Krishna Das, Jai Uttal, Gina Sala, Sita Jamieson Caddle, Consuelo Luz, and others. The music is both modern and tribal, with powerful drum work, spine-tingling vocals, and hypnotic instrumentation. A Universe to Come promises a new universe of primal strength and awesome spirit. I can't praise it highly enough!
 
From the darkened streets and perfumed nights of Marrakech, the sounds of hypnotic playing and chanting rose from the home of Hassan's mother. A wise woman, she held healing, derdeba trance ceremonies that lasted all night long. This, and performing along with fire-breathers and snake charmers on the streets of Marrakech at the age of four, formed the musical roots of Morocco's Gnawa Master, Hassan Hakmoun. Now, combining Gnawa's African rhythms with rock, funk, and Arabic music, Hassan Hakmoun brings us his new release, “The Gift” (Triloka Records, May release date). The title song, “The Gift,” is a joyful, life affirming duet with Grammy Award singer-songwriter Paula Cole, who is also his love and the mother of their baby. My favorite track is “Lala Aisha,” a hard-driving piece featuring Hakmoun's sintir (three-stringed African bass lute) and a chorus that blends Arabic melodic elements and African call-and-response. It's electric!
 
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